The film Looted and Hidden focuses on a number of groundbreaking institutions that were plundered: The Palestine Research Center, the Palestinian Cinema Institution (PCI) and the Cultural Arts Center (CAS) of the PLO. These bodies were among the first to document Palestinian existence and to preserve, research and chart the visual and written Palestinian history from the late 1960s onward. Looted and Hidden , the first film devoted to the subject, follows pioneering, bold, and idealistic creators and directors and the archives they built, focusing mainly on the cinematic enterprise created by the CAS and PCI. Tracing their pillaging, administration and control by Israel - looting, censorship, denial of access, and erasure - the film raises questions about archival institutions in areas of conflict and points, as in detective work, to the need to dig into the invisible and hidden in order to reveal what has been erased or rewritten.
Simone Brioni's paper analyses to what extent Deleuze and Guattari’s definition of the three main features of ‘minor literature’ – namely ‘the deterritorialization of language, the connection of the individual to a political immediacy, and the collective assemblage of enunciation’ – are relevant in analyzing literature by authors of Somali origins in Italian.
Because of Deleuze and Guattari’s abstract reference to gender and race issues and their vague concern for the geographical, linguistic and cultural specificities of literatures by minor authors, she will argue that ‘minor literature’ should not be seen as a rigid framework to be applied in interpreting a specific case study, although its theoretical flexibility might be useful when investigating a literature that strongly refuse categorization. In particular, Deleuze and Guattari’s reference to ‘minor’ ‘literature as a literature ‘in becoming’ helps to identify the position of Somali Italian literature in a transnational context, proposing some changes in how 'Italian' literature has been conceptualized so far.
Arab Patriotism: The Ideology and Culture of Power in Late Ottoman Egypt (Princeton, NJ: Princeton University Press, 2017) challenges the received narrative that Arabism in general and Egyptian territorial nationalism in particular emerged in opposition to the Ottoman and British Empires and primarily from below. The author argues instead that early Arabic nationalist culture was produced in dialogue with the localized Ottoman power by educated Arabs who integrated Muslim and European cultural forms in their search for political inclusion and patronage.